best documentaries. Sonstige Scott Feinberg of The Hollywood Reporter called the film "one of the best documentaries that I have ever seen." Die besten. The best documentaries of all time include controversial classics by Michael Moore and brilliant concert films by Jonathan Demme and Martin Scorsese. Hands Down, These Are the Best Documentaries of All Time. Some are heart-rending, some are uplifting, and all offer life-altering lessons: These are the 19 best.
Best Documentries Ever
Hands Down, These Are the Best Documentaries of All Time. Some are heart-rending, some are uplifting, and all offer life-altering lessons: These are the 19 best. These bizarre documentaries are as weird as it gets - true crime, The 33 Best Documentaries of All Time Ein Augenblick Liebe, Dokumentation, Deutschland. Watch Netflix movies & TV shows online or stream right to your smart TV, game console, PC, Mac, mobile, tablet and more. Start your free trial today. Desson Thomson of The Washington Post described it as "one of the best documentaries ever made, a superb film about the thoughts and feelings of the era. best documentaries. Sonstige Scott Feinberg of The Hollywood Reporter called the film "one of the best documentaries that I have ever seen." Die besten. Mar 18, - Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. They're the scariest horror movies out there (Under the Shadow), and the best documentaries ever made (13th, Jiro Dreams of Sushi). Schauen.
These bizarre documentaries are as weird as it gets - true crime, The 33 Best Documentaries of All Time Ein Augenblick Liebe, Dokumentation, Deutschland. best documentaries. Sonstige Scott Feinberg of The Hollywood Reporter called the film "one of the best documentaries that I have ever seen." Die besten. Desson Thomson of The Washington Post described it as "one of the best documentaries ever made, a superb film about the thoughts and feelings of the era.
The memories become living flesh, and an essential part of documentary filmmaking finds its apotheosis: the act of testifying.
Our top choice was an obvious one. If you doubt the impact of this mightiest of movies, take time next month to catch IFC's 25th-anniversary rerelease, an ennobling theatrical experience.
We'll leave you with a taste of the first image: A graying man sings a quiet tune on a rowboat floating downstream, his eyes lost in thought.
As a year-old Jewish captive, he was beloved by his SS guards for his voice. Chris Marker's enthralling, globehopping essay is perhaps the finest first-person documentary, one that can leave you rivetingly unmoored.
Ostensibly, we're following a world traveler as he journeys between locations, from San Francisco to Africa, from Iceland to Japan.
A female narrator speaks over the images as if they were letters home "He wrote me The doc feels like a diary that's being written, reread and transposed to celluloid simultaneously, reinventing itself from moment to moment.
You'll be mesmerized. We now take it for granted that documentaries employ re-creations of events, borrow the narrative thrust of fiction and tiptoe into the realm of the poetic.
When Errol Morris introduced those techniques into his true-crime tale of a murdered Dallas police officer, however, the effect was galvanizing—and undeniably game-changing.
Structured like a whodunit thriller, Morris's case study proved that documentaries could become popular hits, and ended up exonerating an innocent man.
He'd pushed the nonfiction form into bold, exciting territory: Once he'd crossed that line, a legion of other filmmakers followed. Any discussion of Holocaust documentaries must include Alain Resnais's sober, deeply affecting half-hour short.
A survivor, Jean Cayrol, authored the omnipresent narration, spoken in detached tones over imagery of an empty and decrepit Auschwitz decades after the ovens cooled.
Resnais's camera glides over the landscape as if searching for clues to an unsolvable mystery, while photographs of Nazi medical experiments and their sickening results attest to atrocities that can't possibly be fathomed in full.
The film has the feel of a ghost story where the dead, despite their eerie silence, beckon the living to preserve their memory. It will move you to tears—and beyond.
Very often, we're reminded of the virtues of looking honestly and openly, without judgment. And if a documentary can do this, it's special.
But there must be room for social justice, central to the impulse to pick up a camera in the first place. Barbara Kopple's staggeringly dense record of a Kentucky coal-mine strike is the ultimate example of crusading art: a chronicle of personal pain and sacrifice as ingrained as the soot in these workers' palms.
Duke Power Company drove its employees to the brink of ruination, an existence plagued by black-lung disease, insufficient wages and squalid housing.
When productivity ground to a halt, pickers found themselves targeted by armed thugs. Kopple captures it all, bringing the drama to a head while finding room for the rich local culture of bluegrass.
Fans of Bob Dylan will always treasure the way this movie captures their hero at his pop-messiah apex, but even those who don't dig Mr. Zimmerman recognize D.
Pennebaker's portrait as a groundbreaking work. It invented the fly-on-the-wall rockumentary, following the singer-songwriter as he lounges in hotel rooms and banters with buddies; the illusion of having an all-access pass to a musician's inner life starts here.
But the doc's true significance lies in the way it nails a celebrity culture that was just starting to become cannibalistic. Reporters attack Dylan, rabid fans want a piece of him, and everything is reduced to an info-overload blur.
The times would be a-changin' for both the media and this year-old messenger very soon. A masterpiece of what-if storytelling, Peter Watkins's chilling featurette depicts the aftermath of a British nuclear war from a you-are-there perspective.
Using scientific research, government statistics, and testimonies on the damage done in Hiroshima and Nagasaki, Watkins presents manufactured scenes of suburban mayhem under the guise of an emergency news report.
Fires rage, children expire, and England is turned into a barren wasteland; no one had used the fake-documentary format to such an extent before, or with such urgency since.
Originally made for the BBC, Watkins's wake-up call was quickly banned by the network for being too harsh, yet it still nabbed a Best Documentary Oscar in Forty-five years later, it remains a high mark for employing vrit styles to construct something much more perverse and profound than your typical cautionary tale.
Today, Robert Flaherty's arctic slice of life is criticized: His Inuit subjects, made curious by the bulky camera, couldn't help but act a little.
Scenes of igloo building and parenting were staged. Our strapping hero, accustomed to hunting with a gun, was gently urged to revert to his ancestors' spears.
He was also asked to pretend that a female friend of the director was his onscreen wife. These points are not quibbles. But the greater truth of Flaherty's groundbreaking study can't be denied: Forevermore, documentaries would be committed to the social notion of bringing distant cultures closer however compromised.
Michael Moore made his spectacular debut with this enraging look at the closing of a GM plant in Flint, Michigan. It's a comic cri de coeur against auto-industry exec Roger Smith, who Moore hilariously attempts to confront about Flint's economic downturn.
But it's also an affectionate look at the director's depressed hometown: On his journey, he talks with such colorful characters as Bob Eubanks "Flint's most famous native son" and Rhonda Britton, an eccentric neighbor who sells rabbits for "pets or meat.
The modernizing Soviet Union swirled around filmmaker Dziga Vertov, who, working with his brilliant editor wife, Elizaveta, decided to capture chaotic urban life in Ukraine.
There would be no script, no sound, so hostile was Vertov to narrative. Instead, he would turn his "kino eye" into a hungry maw, one that would cheerfully devour men and women at work, gnashing the image into innovative split-screen and double exposures, breaking the bonds of time and causality.
His avant-garde movie, still a stunning piece of futurism, was the entire spirit of the revolution condensed to a single hour. It will inspire as long as there are eyes to watch.
Follow a quartet of real-life Willy Lomans as they peddle Bibles to working-class stiffs, in the Maysles brothers' bleak picture of the American dream circa the late '60s.
Not Rated min Documentary. Votes: 36, Documentary about Father Oliver O'Grady , a Catholic priest who was relocated to various parishes around the United States during the s in an attempt by the Catholic Church to cover up his rape of dozens of children.
R min Documentary, Biography, History. A documentarian and a reporter travel to Hong Kong for the first of many meetings with Edward Snowden.
R 96 min Documentary. Documentary that chronicles how Francis Ford Coppola 's Apocalypse Now was plagued by extraordinary script, shooting, budget, and casting problems--nearly destroying the life and career of the celebrated director.
A rivalry between big cat eccentrics takes a dark turn when Joe Exotic , a controversial animal park boss, is caught in a murder-for-hire plot. Votes: 62, G 80 min Documentary, Family.
In the Antarctic, every March since the beginning of time, the quest begins to find the perfect mate and start a family. R min Documentary, Comedy, War.
Bill Maher 's take on the current state of world religion. Sign In. Copy from this list Export Report this list.
Refine See titles to watch instantly, titles you haven't rated, etc. IMDb user rating average 1 1. Error: please try again. Grizzly Man R min Documentary, Biography 7.
Jesus Camp PG 87 min Documentary 7. Citizenfour R min Documentary, Biography, History 8. March of the Penguins G 80 min Documentary, Family 7.
Religulous R min Documentary, Comedy, War 7. More Than Honey The Look of Silence The Act Of Killing Everyday Sunshine: The Story of Fishbone Nostalgia for the Light Bill Cunningham New York We Were Here Spellbound Enron: The Smartest Guys in the Room Sholem Aleichem: Laughing in the Darkness Ai Weiwei: Never Sorry How to Survive a Plague When We Were Kings This Is Not a Film March of the Penguins Kurt Cobain: Montage Of Heck Cave of Forgotten Dreams Muscle Shoals McNamara Bowling for Columbine The War Tapes Jafar Panahi's Taxi Searching for Sugar Man Undefeated Bombshell: The Hedy Lamarr Story Stories We Tell Beware Of Mr.
Baker The Overnighters Call Me Kuchu American Factory Rodents of Unusual Size The Island President Pick of the Litter For the Bible Tells Me So BlindsightSundance Selects. How to Survive a Plague At 27, Kurt Cobain was one Gratis Games the most famous musicians on the planet—a status that he Dragon And Dungeons Online have rather avoided, and a level Online No Deposit Casino Bonus fame that, along with his mental illness and drug addiction, led to his downfall. Murderball Bill Cunningham was a Dolphins Pearl Miniclip figure in New York City until his death last year; a Bill Cunningham spotting was almost as exciting as having your picture taken by him. Using scientific research, government statistics, and testimonies on the damage done in Hiroshima and Nagasaki, Watkins presents manufactured scenes of suburban mayhem under the guise of an emergency news Geams. This Is Us. Type keyword s to Sportingbet.Gr. These are the best inspirational documentaries out there! But you're met with the ever-present dilemma: How do you find something to watch that you haven't. The best documentaries of all time include controversial classics by Michael Moore and brilliant concert films by Jonathan Demme and Martin Scorsese.